Posted: Sun Feb 15, 2009 9:25 pm
I agree with Damien on most of the cartoons out there. Of Disney's 90's Renaissance, there are only very few that would warrant in my mind inclusion for Sound Effects (Editing). For their time, Beauty and the Beast and Aladdin for sure, but really they're more achievements of Mixing. When PIXAR released Toy Story, that all changed. There is such a tactile nature to all the sounds in the PIXAR films that are painstakingly edited in a way that I don't believe has yet to be equalled in animated features.
A film like Shrek is not an audio experience. Finding Nemo, Monster's Inc., and Cars...? These are films that create a transfixing audio atmosphere. Quite frankly, I don't think that PIXAR films can win enough awards for Best Sound Mixing/Effects. When Damien says that "WALL*E has a lot of beeps in it"...he's (understandably) not taking the entire universe of WALL*E into account. PIXAR has never mixed two different worlds together as they have in WALL*E...the desolation of planet earth AND the AXIOM. It's an audio experience.
That being said, I'm starting to think that Slumdog Millionaire might win. I predicted it would be nominated for Best Sound Mixing but I didn't anticipate a Best Sound Effects nomination. In all fairness, all the sounds in Slumdog Millionaire had to have been created and they're rather convincing at that.
That might be the one edge that Slumdog Millionaire has that the other films don't: crowds.
The Dark Knight has a fantastic sound mix and for my money is the best produced film of the year. The sound mix is incredibly emotional, signaling to the audience how they are supposed to feel amidst a confusing narrative with music drowning in and out. Slumdog Millionaire doesn't have a confusing narrative (ha!) but it certainly does this. WALL*E does this but with a lot of manufactured hustle and bustle. Beeps, whooshes, and everything manufactured by the Sound Effects people. Slumdog Millionaire did what WALL*E did but with crowd noise.
A film like Shrek is not an audio experience. Finding Nemo, Monster's Inc., and Cars...? These are films that create a transfixing audio atmosphere. Quite frankly, I don't think that PIXAR films can win enough awards for Best Sound Mixing/Effects. When Damien says that "WALL*E has a lot of beeps in it"...he's (understandably) not taking the entire universe of WALL*E into account. PIXAR has never mixed two different worlds together as they have in WALL*E...the desolation of planet earth AND the AXIOM. It's an audio experience.
That being said, I'm starting to think that Slumdog Millionaire might win. I predicted it would be nominated for Best Sound Mixing but I didn't anticipate a Best Sound Effects nomination. In all fairness, all the sounds in Slumdog Millionaire had to have been created and they're rather convincing at that.
That might be the one edge that Slumdog Millionaire has that the other films don't: crowds.
The Dark Knight has a fantastic sound mix and for my money is the best produced film of the year. The sound mix is incredibly emotional, signaling to the audience how they are supposed to feel amidst a confusing narrative with music drowning in and out. Slumdog Millionaire doesn't have a confusing narrative (ha!) but it certainly does this. WALL*E does this but with a lot of manufactured hustle and bustle. Beeps, whooshes, and everything manufactured by the Sound Effects people. Slumdog Millionaire did what WALL*E did but with crowd noise.