Cannes 2024

Mister Tee
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Re: Cannes 2024

Post by Mister Tee »

By reports of who's been asked back, this ought to be the list of films contending for prizes:

Emilia Perez (Audiard)
Anora (Baker)
Megalopolis (Coppola)
The Substance (Fargeat)
Grand Tour (Gomes)
All We Imagine As Light (Kapadia)
The Seed of the Sacred Fig (Rasoulof)

Jia Zhangke posted (briefly; subsequently deleted) that CAUGHT BY THE TIDES won’t win any award.
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Re: Cannes 2024

Post by Okri »

Sabin wrote: Fri May 24, 2024 3:24 pm And now The Seed of the Sacred Fig sounds like a Palme winner.

This fest really turned itself around.
If it wins, it will be Neon's 5th in a row (Parasite, Titane, Triangle of Sadness, Anatomy of a Fall being the other four)
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Re: Cannes 2024

Post by Sabin »

And now The Seed of the Sacred Fig sounds like a Palme winner.

This fest really turned itself around.

(NOTE: but it sounds like the magical realism of As We Imagine Light would also be very much up Gerwig’s alley)
Last edited by Sabin on Sat May 25, 2024 7:26 am, edited 1 time in total.
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Sabin
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Re: Cannes 2024

Post by Sabin »

Good predictions although I think Grand Tour and Caught by the Tides will get something.

I’m half wondering if they create a special prize for Megalopolis.
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Re: Cannes 2024

Post by anonymous1980 »

Cannes predictions:

Palme d'Or: Anora, Sean Baker
Grand Prix: The Seed of the Sacred Fig, Mohammad Rasoulof
Jury Prize: All We Imagine as Light, Payal Kapadia
Best Director: Francis Ford Coppola, Megalopolis
Best Actor: Sebastian Stan, The Apprentice
Best Actress: Karla Sofía Gascón, Emilia Perez
Best Screenplay: Coralie Fargeat, The Substance
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Re: Cannes 2024

Post by Sabin »

I think Toni Erdmann had the highest rating in a decade and it won nothing.
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Re: Cannes 2024

Post by Greg »

Big Magilla wrote: Thu May 23, 2024 6:21 pm Anora has six **** juror ratings which suggests that it is in fact the one to beat thus far.
Although, last year Fallen Leaves had the highest jury grid rating; and, Anatomy Of A Fall won the Palme d'Or.
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Re: Cannes 2024

Post by Big Magilla »

Anora has six **** juror ratings which suggests that it is in fact the one to beat thus far.

That said, what are these X ratings mean supposed to mean? I took them to mean that the jury member didn't see the film, but whoever applied the percentages counted them as a "no star" or "zero" rating. It seems to me that the totals for those films with X's should have been divided by the number of films seen by the ten or eleven of jurors who saw them, not the full complement of twelve.
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Re: Cannes 2024

Post by Sabin »

If I haven’t posted the Cannes grid, here it is: https://www.screendaily.com/cannes-jury-grid
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Mister Tee
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Re: Cannes 2024

Post by Mister Tee »

Sabin wrote: Tue May 21, 2024 6:53 pm
Greg wrote
You've been coming up with a new Palme d'Or frontrunner every day for the last few days.
Greg... don't deny me one of the few pleasures in life my boss can't take away from me.
It's the kind of Cannes it is: nothing storming to the front, so anything that gets excited reaction from anyone could be The One.
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Re: Cannes 2024

Post by Mister Tee »

Sabin
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Re: Cannes 2024

Post by Sabin »

Greg wrote
You've been coming up with a new Palme d'Or frontrunner every day for the last few days.
Greg... don't deny me one of the few pleasures in life my boss can't take away from me.
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Re: Cannes 2024

Post by Greg »

Sabin wrote: Tue May 21, 2024 10:38 am Going off of first reviews but I could definitely see the Gerwig jury going for Anora.
You've been coming up with a new Palme d'Or frontrunner every day for the last few days.
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Re: Cannes 2024

Post by flipp525 »

The Shining should have been ignored, what Kubrick did to Stephen King's novel was a travesty.
Kubrick improved upon the source material and even King has finally come around to admitting that the film adaptation is great after lambasting it for decades and saying he had to turn it off when it appeared on his hotel television once. I re-read it a couple of years ago before I read Doctor Sleep (which is much scarier in some ways) and there are several elements that would simply not have worked in a 1980 adaptation such as the roaming topiary animals which Kubrick smartly turned into the infamous maze.

Wendy is a blonde cheerleader in the book.
"The mantle of spinsterhood was definitely in her shoulders. She was twenty five and looked it."

-Gone With the Wind by Margaret Mitchell
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Re: Cannes 2024

Post by Sabin »

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