This makes me so sad. (And I guess this is a thread for the older among us.)
I love Peter, Paul and Mary and my affection for them never abated. I had intended to contact the Kennedy Center to suggest that they would be logical and most deserving honorees.
I loved her solo albums, too, Big. I remember in the liner notes of the first, Mary extolled everyone to cjeck out the poetry of Edna St. Vincent Millay.
My favorite quote of Mary Travers's: Her daughter was getting married and she fretted, "Her finance is a Republican. I don't know what to do. We've never had one in the family before."
I met Peter and Paul, because the trio was booked to be on Arlene Francis's radio show from Sardi's the same day Mason and I were on when Inside Oscar first came out. But Mary had the flu, so she was absent. But she's been a part of my life since I was a little boy, and she'll always be part of my life.
R.I.P. Mary Travers
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Big Magilla
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The shocks keep coming.
Mary not only had a last name, she had a decent career as a single artist after the breakup of the group. I remember playing her first two solo albums incessantly when they came out in the early 70s.
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:kpfqxql5ldhe~T1
Mary not only had a last name, she had a decent career as a single artist after the breakup of the group. I remember playing her first two solo albums incessantly when they came out in the early 70s.
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:kpfqxql5ldhe~T1
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Mister Tee
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Seriously?Sonic Youth wrote:(Psst... this is the first time I'm realizing she had a last name.)
They're very much a part of my youth. Even if you didn't listen to the radio, you knew Puff in grade school. And Blowin' in the Wind. After a while -- once hard rock moved in -- I guess they seemed a bit old-hat. But I never lost my affection. Was a real sucker for Leaving on a Jet Plame (especially since it came out the year I started college a plane trip away).
My college roommate had a portrait of Mary (I have no idea how he got hold of it). She was hot, in an early 60s/Village way. Later on she gained alot of weight -- which is how she looked the one night I saw her. We were at an Italian restaurant on 9th Avenue; she and a group were at a table nearby. As they were leaving, she stopped and wished us a cheerful "Mangia!"...which is enough for me to conclude she was a lovely person on top of everything else.
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Sonic Youth
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(Psst... this is the first time I'm realizing she had a last name.)
Peter, Paul and Mary dead at 72
(AP) – 38 minutes ago
DANBURY, Conn. — Mary Travers, one-third of the hugely popular 1960s folk trio Peter, Paul and Mary, has died.
The band's publicist, Heather Lylis, says Travers died at Danbury Hospital in Connecticut on Wednesday. She was 72 and had battled leukemia for several years.
Travers joined forces with Peter Yarrow and Noel Paul Stookey in the early 1960s.
The trio mingled their music with liberal politics, both onstage and off. Their version of "If I Had a Hammer" became an anthem for racial equality. Other hits included "Lemon Tree," "Leaving on a Jet Plane" and "Puff (The Magic Dragon.)"
They were early champions of Bob Dylan and performed his "Blowin' in the Wind" at the August 1963 March on Washington.
And they were vehement in their opposition to the Vietnam War, managing to stay true to their liberal beliefs while creating music that resonated in the American mainstream.
The group collected five Grammy Awards for their three-part harmony on enduring songs like "Leaving on a Jet Plane," "Puff (The Magic Dragon)" and "Blowin' in the Wind."
At one point in 1963, three of their albums were in the top six Billboard best-selling LPs as they became the biggest stars of the folk revival movement.
It was heady stuff for a trio that had formed in the early 1960s in Greenwich Village, running through simple tunes like "Mary Had a Little Lamb."
They debuted at the Bitter End in 1961, and their beatnik look — a tall blonde flanked by a pair of goateed guitarists — was a part of their initial appeal. As The New York Times critic Robert Shelton put it not long afterward, "Sex appeal as a keystone for a folk-song group was the idea of the group's manager, Albert B. Grossman, who searched for months for `the girl' until he decided on Miss Travers."
Their debut album came out in 1962, and immediately scored a pair of hits with their versions of "If I Had a Hammer" and "Lemon Tree." The former won them Grammys for best folk recording, and best performance by a vocal group.
"Moving" was the follow-up, including the hit tale of innocence lost, "Puff (The Magic Dragon)" — which reached No. 2 on the charts, and generated since-discounted reports that it was an ode to marijuana.
Album No. 3, "In the Wind," featured three songs by the 22-year-old Dylan. "Don't Think Twice, It's Alright" and "Blowin' in the Wind" both reached the top 10, bringing Dylan's material to a massive audience; the latter shipped 300,000 copies during one two-week period.
"Blowin' In the Wind" became an another civil rights anthem, and Peter, Paul and Mary fully embraced the cause. They marched with King in Selma, Ala., and performed with him in Washington.
In a 1966 New York Times interview, Travers said the three worked well together because they respected one another. "There has to be a certain amount of love just in order for you to survive together," she said. "I think a lot of groups have gone down the tubes because they were not able to relate to one another."
With the advent of the Beatles and Dylan's switch to electric guitar, the folk boom disappeared. Travers expressed disdain for folk-rock, telling the Chicago Daily News in 1966 that "it's so badly written. ... When the fad changed from folk to rock, they didn't take along any good writers."
But the trio continued their success, scoring with the tongue-in-cheek single "I Dig Rock and Roll Music," a gentle parody of the Mamas and the Papas, in 1967 and the John Denver-penned "Leaving on a Jet Plane" two years later.
They also continued as boosters for young songwriters, recording numbers written by then-little-known Gordon Lightfoot and Laura Nyro.
In 1969, the group earned their final Grammy for "Peter, Paul and Mommy," which won for best children's album. They disbanded in 1971, launching solo careers — Travers released five albums — that never achieved the heights of their collaborations.
Over the years they enjoyed several reunions, including a performance at a 1978 anti-nuclear benefit organized by Yarrow and a 35th anniversary album, "Lifelines," with fellow folkies Ramblin' Jack Elliott, Dave Van Ronk and Seeger. A boxed set of their music was released in 2004.
They remained politically active as well, performing at the 1995 anniversary of the Kent State shootings and performing for California strawberry pickers.
Travers had undergone a successful bone marrow transplant to treat her leukemia and was able to return to performing after that.
"It was like a miracle," Travers told The Associated Press in 2006. "I'm just feeling fabulous. What's incredible is someone has given your life back. I'm out in the garden today. This time last year I was looking out a window at a hospital." She also said she told the marrow donor "how incredibly grateful I was."
But by mid-2009, Yarrow told WTOP radio in Washington that her condition had worsened again and he thought she would no longer be able to perform.
Mary Allin Travers was born on Nov. 9, 1936 in Louisville, Ky., the daughter of journalists who moved the family to Manhattan's bohemian Greenwich Village. She quickly became enamored with folk performers like the Weavers, and was soon performing with Seeger, a founding member of the Weavers who lived in the same building as the Travers family.
With a group called the Song Swappers, Travers backed Seeger on one album and two shows at Carnegie Hall. She also appeared (as one of a group of folk singers) in a short-lived 1958 Broadway show called "The Next President," starring comedian Mort Sahl.
It wasn't until she met up with Yarrow and Stookey that Travers would taste success on her own. Yarrow was managed by Grossman, who later worked in the same capacity for Dylan.
In the book "Positively 4th Street" by David Hajdu, Travers recalled that Grossman's strategy was to "find a nobody that he could nurture and make famous."
The budding trio, boosted by the arrangements of Milt Okun, spent seven months rehearsing in her Greenwich Village apartment before their 1961 public debut.
Travers lived for many years in Redding, Conn.
Peter, Paul and Mary dead at 72
(AP) – 38 minutes ago
DANBURY, Conn. — Mary Travers, one-third of the hugely popular 1960s folk trio Peter, Paul and Mary, has died.
The band's publicist, Heather Lylis, says Travers died at Danbury Hospital in Connecticut on Wednesday. She was 72 and had battled leukemia for several years.
Travers joined forces with Peter Yarrow and Noel Paul Stookey in the early 1960s.
The trio mingled their music with liberal politics, both onstage and off. Their version of "If I Had a Hammer" became an anthem for racial equality. Other hits included "Lemon Tree," "Leaving on a Jet Plane" and "Puff (The Magic Dragon.)"
They were early champions of Bob Dylan and performed his "Blowin' in the Wind" at the August 1963 March on Washington.
And they were vehement in their opposition to the Vietnam War, managing to stay true to their liberal beliefs while creating music that resonated in the American mainstream.
The group collected five Grammy Awards for their three-part harmony on enduring songs like "Leaving on a Jet Plane," "Puff (The Magic Dragon)" and "Blowin' in the Wind."
At one point in 1963, three of their albums were in the top six Billboard best-selling LPs as they became the biggest stars of the folk revival movement.
It was heady stuff for a trio that had formed in the early 1960s in Greenwich Village, running through simple tunes like "Mary Had a Little Lamb."
They debuted at the Bitter End in 1961, and their beatnik look — a tall blonde flanked by a pair of goateed guitarists — was a part of their initial appeal. As The New York Times critic Robert Shelton put it not long afterward, "Sex appeal as a keystone for a folk-song group was the idea of the group's manager, Albert B. Grossman, who searched for months for `the girl' until he decided on Miss Travers."
Their debut album came out in 1962, and immediately scored a pair of hits with their versions of "If I Had a Hammer" and "Lemon Tree." The former won them Grammys for best folk recording, and best performance by a vocal group.
"Moving" was the follow-up, including the hit tale of innocence lost, "Puff (The Magic Dragon)" — which reached No. 2 on the charts, and generated since-discounted reports that it was an ode to marijuana.
Album No. 3, "In the Wind," featured three songs by the 22-year-old Dylan. "Don't Think Twice, It's Alright" and "Blowin' in the Wind" both reached the top 10, bringing Dylan's material to a massive audience; the latter shipped 300,000 copies during one two-week period.
"Blowin' In the Wind" became an another civil rights anthem, and Peter, Paul and Mary fully embraced the cause. They marched with King in Selma, Ala., and performed with him in Washington.
In a 1966 New York Times interview, Travers said the three worked well together because they respected one another. "There has to be a certain amount of love just in order for you to survive together," she said. "I think a lot of groups have gone down the tubes because they were not able to relate to one another."
With the advent of the Beatles and Dylan's switch to electric guitar, the folk boom disappeared. Travers expressed disdain for folk-rock, telling the Chicago Daily News in 1966 that "it's so badly written. ... When the fad changed from folk to rock, they didn't take along any good writers."
But the trio continued their success, scoring with the tongue-in-cheek single "I Dig Rock and Roll Music," a gentle parody of the Mamas and the Papas, in 1967 and the John Denver-penned "Leaving on a Jet Plane" two years later.
They also continued as boosters for young songwriters, recording numbers written by then-little-known Gordon Lightfoot and Laura Nyro.
In 1969, the group earned their final Grammy for "Peter, Paul and Mommy," which won for best children's album. They disbanded in 1971, launching solo careers — Travers released five albums — that never achieved the heights of their collaborations.
Over the years they enjoyed several reunions, including a performance at a 1978 anti-nuclear benefit organized by Yarrow and a 35th anniversary album, "Lifelines," with fellow folkies Ramblin' Jack Elliott, Dave Van Ronk and Seeger. A boxed set of their music was released in 2004.
They remained politically active as well, performing at the 1995 anniversary of the Kent State shootings and performing for California strawberry pickers.
Travers had undergone a successful bone marrow transplant to treat her leukemia and was able to return to performing after that.
"It was like a miracle," Travers told The Associated Press in 2006. "I'm just feeling fabulous. What's incredible is someone has given your life back. I'm out in the garden today. This time last year I was looking out a window at a hospital." She also said she told the marrow donor "how incredibly grateful I was."
But by mid-2009, Yarrow told WTOP radio in Washington that her condition had worsened again and he thought she would no longer be able to perform.
Mary Allin Travers was born on Nov. 9, 1936 in Louisville, Ky., the daughter of journalists who moved the family to Manhattan's bohemian Greenwich Village. She quickly became enamored with folk performers like the Weavers, and was soon performing with Seeger, a founding member of the Weavers who lived in the same building as the Travers family.
With a group called the Song Swappers, Travers backed Seeger on one album and two shows at Carnegie Hall. She also appeared (as one of a group of folk singers) in a short-lived 1958 Broadway show called "The Next President," starring comedian Mort Sahl.
It wasn't until she met up with Yarrow and Stookey that Travers would taste success on her own. Yarrow was managed by Grossman, who later worked in the same capacity for Dylan.
In the book "Positively 4th Street" by David Hajdu, Travers recalled that Grossman's strategy was to "find a nobody that he could nurture and make famous."
The budding trio, boosted by the arrangements of Milt Okun, spent seven months rehearsing in her Greenwich Village apartment before their 1961 public debut.
Travers lived for many years in Redding, Conn.
"What the hell?"
Win Butler
Win Butler