1930 Oscar Shouldabeens

1927/28 through 1997
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Cinemanolis
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Re: 1929/30 Oscar Shouldabeens

Post by Cinemanolis »

BEST PICTURE
The Blue Angel
Hell’s Angels
***All Quiet on the Western Front
The Big House
Morocco

BEST DIRECTOR
Josef Von Sternberg - The Blue Angel
Howard Hughes - Hell’s Angels
***Lewis Milestone - All Quiet on the Western Front
Rene Clair – Under the Roofs of Paris
Aleksandr Dovzhenko – Earth
Georg Wilhelm Pabst - Westfront 1918

BEST ACTOR
Lew Ayres - All Quiet on the Western Front
Colin Clive - Journey’s End
Ronald Colman – Raffles
***Emil Jannings - The Blue Angel
Fredric March - The Royal Family of Broadway

BEST ACTRESS
Ina Claire - The Royal Family of Broadway
***Marlene Dietrich – Morocco
Marie Dressler – Min and Bill
Greta Garbo - Anna Christie
Norma Shearer – The Divorcee

BEST SUPPORTING ACTOR
***Wallace Beery - The Big House
George F.Marion - Anna Christie
Adolphe Menjou - Morocco
Robert Montgomery - The Big House
Slim Summerville - All Quiet on the Western Front
Louis Wolheim - All Quiet on the Western Front

BEST SUPPORTING ACTRESS
Mary Astor - Holiday
Henrietta Crosman - The Royal Family of Broadway
***Marie Dressler - Anna Christie
Margaret Dumont – Animal Crackers
Zasu Pitts - Monte Carlo
Marjorie Rambeau - Min and Bill

BEST ORIGINAL SCREENPLAY
***The Big House
Hell’s Angels
Under the Roofs of Paris
People on Sunday
Laughter

BEST ADAPTED SCREENPLAY
Anna Christie
The Blue Angel
***All Quiet on the Western Front
Morocco
Monte Carlo

BEST ENSEMBLE
***All Quiet on the Western Front
Anna Christie
The Big House
Animal Crackers
Journey’s End

BEST CINEMATOGRAPHY
The Blue Angel
Hell’s Angels
***All Quiet on the Western Front
Morocco
Earth
Westfront 1918

BEST EDITING
The Big House
Hell’s Angels
***All Quiet on the Western Front
Earth
Westfront 1918

BEST ART DIRECTION
Abraham Lincoln
Hell’s Angels
***All Quiet on the Western Front
Morocco
Under the Roofs of Paris

BEST COSTUME DESIGN
The Blue Angel
Abraham Lincoln
***All Quiet on the Western Front
Morocco
Romance

BEST MAKE UP
Abraham Lincoln
The Blue Angel
The Royal Family of Broadway
***All Quiet on the Western Front
Westfront 1918

BEST MUSIC SCORE
Anna Christie – William Axt
The Blue Angel – Friedrich Hollaender
Morocco – Carl Hajos
***Under the Roofs of Paris – Raoul Moretti, Vincent Scotto
Animal Crackers – Max Reese

BEST SONG
“Falling In Love Again” - The Blue Angel
“Naughty Lola” - The Blue Angel
“You Brought a New Kind of Love to Me” – The Big Pond
“Under the Roofs of Paris” - Under the Roofs of Paris
***“Puttin’ On the Ritz” – Puttin’ On the Ritz

BEST FOREIGN FILM
***The Blue Angel - Germany
Under the Roofs of Paris – France
L’Age D’Or – Spain
Earth - Russia
People on Sunday - Germany
Westfront 1918 - Germany

BEST SOUND
The Big House
Hell’s Angels
***All Quiet on the Western Front
The Dawn Patrol
Westfront 1918

BEST EFFECTS
***Hell’s Angels
All Quiet on the Western Front
Journey’s End
The Dawn Patrol
Westfront 1918
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Precious Doll
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Re: 1930 Oscar Shouldabeens

Post by Precious Doll »

Best Film

1. Morocco
2. City Girl
3. Madame Satan
4. Earth
5. L’Age D’or

Best Director

1. Josef von Sternberg, Morocco
2. F. W. Murnau, City Girl
3. Cecil B DeMille, Madame Satan
4. Alexander Dovzhenko, Earth
5. Luis Bunuel & Salvador Dali, L’Age D’or

Best Actor

1. Charles Farrell, City Girl
2. Lon Chaney, The Unholy Three
3. Gary Cooper, Morocco
4. Spencer Tracy, Up the River
5. Humphrey Bogart, Up the River

Best Actress

1. Mary Duncan, City Girl
2. Marlene Dietrich, Morocco
3. Greta Garbo, Anna Christie
4. Joan Crawford, Paid
5. Nancy Carroll, Honey

Best Supporting Actor

1. Harry Earles, The Unholy Three
2. David Torrence, City Girl
3. Adolphe Menjou, Morocco
4. Richard Gallagher, Honey
5. Warren Hymer, Up the River

Best Supporting Actress

1. Edith Yorke, City Girl
2. Marie Dressler, Anna Christie
3. Mitzi Green, Honey
4. Jobyna Howland, Honey
5. Marie Prevost, Paid

Best Screenplay

1. Madame Satan
2. Earth
3. Borderline
4. Up the River

Best Screenplay Adaptation

1. Morocco
2. City Girl
3. L’Age D’or
4. The Unholy Three
5. Anna Christie

Best Cinematography

1. Morocco
2. City Girl
3. Madam Satan
4. Earth
5. The Unholy Three

Best Editing

1. Morocco
2. City Girl
3. Earth
4. The Unholy Three
5. Madam Satan

Best Sound

1. Madam Satan
2. Morocco
3. The Unholy Three
4. Anna Christie
5. Borderline

Best Art Direction

1. Madame Satan
2. City Girl
3. Morocco
4. Anna Christie
5. The Unholy Three

Best Costume Design

1. Madame Satan
2. Morocco
3. The Unholy Three
4. City Girl
5. Anna Christie

Best Music

1. Madame Satan
2. The Unholy Three
3. Morocco
4. Anna Christie
5. Honey
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
ksrymy
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Re: 1929/30 Oscar Shouldabeens

Post by ksrymy »

BEST PICTURE
01. Earth (dir. Aleksandr Dovzhenko)
02. The Blood of a Poet (dir. Jean Cocteau)
03. Morocco (dir. Josef von Sternberg)
04. L'Age d'Or (dir. Luis Buñuel)
05. Westfront 1918 (dir. G. W. Pabst)
06. Under the Roofs of Paris (dir. René Clair)
07. Monte Carlo (dir. Ernst Lubitsch)
08. The Blue Angel (dir. Josef von Sternberg)
09. City Girl (dir. F. W. Murnau)
10. All Quiet on the Western Front (dir. Lewis Milestone)

BEST DIRECTOR
01. Aleksandr Dovzhenko, Earth
02. Jean Cocteau, The Blood of a Poet
03. Luis Buñuel, L'Age d'Or
04. G. W. Pabst, Westfront 1918
05. Josef von Sternberg, Morocco

BEST ACTOR
01. Emil Jannings, The Blue Angel
02. Semyon Svashenko, Earth
03. Ronald Colman, Raffles
04. Charles Farrell, City Girl
05. Colin Clive, Journey's End

BEST ACTRESS
01. Marlene Dietrich, Morocco
02. Constance Bennett, Sin Takes a Holiday
03. Marlene Dietrich, The Blue Angel
04. Ita Rina, Tonka of the Gallows
05. Joan Crawford, Paid

BEST SUPPORTING ACTOR
01. Wallace Beery, The Big House
02. Frank Morgan, Fast and Loose
03. Robert Montgomery, The Divorcee
04. Adolphe Menjou, Morocco
05. Harry Earles, The Unholy Three

BEST SUPPORTING ACTRESS
01. Marie Dressler, Anna Christie
02. ZaSu Pitts, Monte Carlo
03. Carole Lombard, Fast and Loose
04. Yelena Maksimova, Earth
05. Yuliya Solntseva, Earth

BEST SCREENPLAY
01. The Big House (Frances Marion, Joseph Farnham, & Martin Flavin)
02. Raffles (Sidney Howard, based on the play "Raffles, the Amateur Cracksman" by Eugene Wiley Presbrey & E. W. Hornung and the novel "Raffles, the Amateur Cracksman" by E. W. Hornung)
03. Earth (Aleksandr Dovzhenko)
04. Morocco (Jules Furthman, based on "Amy Jolly" by Benno Vigny)
05. L'Age d'Or (Luis Buñuel, Salvador Dalí)

BEST FILM EDITING
01. Earth (Aleksandr Dovzhenko)
02. The Blood of a Poet (Jean Cocteau)
03. The Big House (Blanche Sewell)
04. Westfront 1918 (W. L. Bagier, Jean Oser, & Marc Sorkin)
05. The Big Trail (Jack Dennis)

BEST CINEMATOGRAPHY
01. Earth (Daniil Demutsky)
02. The Big Trail (Lucien N. Andriot & Arthur Edeson)
03. L'Age d'Or (Albert Duverger)
04. The Blood of a Poet (Georges Périnal)
05. Morocco (Lee Garmes)

BEST ART DIRECTION
01. The Blood of a Poet (Jean d'Eaubonne)
02. Monte Carlo (uncredited)
03. Madam Satan (Cedric Gibbons & Mitchell Leisen)
04. Morocco (Hans Dreier)
05. Under the Roofs of Paris (Lazare Meerson)

BEST COSTUME DESIGN
01. Madam Satan (Adrian)
02. Morocco (Travis Banton)
03. The Big Trail (Sam Benson & Earl Moser)
04. The Florodora Girl (Adrian)
05. The Blue Angel (Tihamer Varady)

BEST ORIGINAL SCORE
01. The Blood of a Poet (Georges Auric)
02. Prix de Beauté (Horace Shepherd, René Sylviano, & Wolfgang Zeller)
03. Monte Carlo (W. Franke Harling (original music and songs), Richard A. Whiting (original songs), Leo Robin (original lyrics), additional original music by Karl Hajos, Herman Hand, Sigmund Krumgold, & John Leipold)
04. Under the Roofs of Paris (Raoul Moretti (original songs & music), Vincent Scotto (original music), René Nazelles (original lyrics), & Armand Bernard (music arranger)
05. Animal Crackers (Max Reese (original music), Harry Ruby (original songs), Bert Kalmar (original lyrics)

BEST ORIGINAL SONG
01. The Blue Angel ("Ich bin von Kopf bis Fuß auf Liebe eingestellt"/"Falling in Love Again (Can’t Help It)," music and lyrics by Friedrich Holländer, performed by Marlene Dietrich)
02. The Big Pond ("Living in the Sunlight, Loving in the Moonlight," music and lyrics by Al Sherman & Al Lewis, performed by Maurice Chevalier)
03. Puttin' on the Ritz ("Puttin’ on the Ritz," music and lyrics by Irving Berlin, performed by Harry Richman)
04. The Blue Angel ("Ich bin die fesche Lola," music and lyrics by Friedrich Holländer, performed by Marlene Dietrich)
05. Three Good Friends ("Ein Freund, ein guter Freund," music by Werner R. Heymann, lyrics by Robert Gilbert, performed by Willy Fritsch, Oskar Karlweis, & Heinz Rühmann)

BEST SOUND
01. Westfront 1918 (W. L. Bagier & Karl Brodmerkel)
02. The Big House (Douglas Shearer & Robert Shirley)
03. All Quiet on the Western Front (C. Roy Hunter & William Hedgcock)
04. Hell's Angels (Lodge Cunningham)
05. The Dawn Patrol (uncredited)

BEST VISUAL EFFECTS
01. The Dawn Patrol (Fred Jackman)
02. The Blood of a Poet (uncredited)
03. Hell's Angels (J. B. Alexander, Roy Davidson, & Phil Jones)
04. Madam Satan (uncredited)
05. Westfront 1918 (uncredited)

RESULTS
8 nominations: Earth (4 wins), Morocco (1 win)
7 nominations: The Blood of a Poet (2 wins)
6 nominations: The Blue Angel (1 win)
5 nominations: Westfront 1918 (1 win)
4 nominations: L'Age d'Or, The Big House (2 wins), Monte Carlo
3 nominations: The Big Trail, Madam Satan (1 win), Under the Roofs of Paris
2 nominations: All Quiet on the Western Front, Animal Crackers, City Girl, The Dawn Patrol (1 win), Fast and Loose, Hell's Angels, Raffles
1 nomination: Anna Christie (1 win), The Big Pond, The Divorcee, The Florodora Girl, Paid, Prix de Beauté, Puttin' on the Ritz, Sin Takes a Holiday, Three Good Friends, Tonka of the Gallows, The Unholy Three
"Men get to be a mixture of the charming mannerisms of the women they have known." - F. Scott Fitzgerald
Big Magilla
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Post by Big Magilla »

It's taken me five years, but I've substituted George Marion for Lewis Stone (Romance) in support.
Big Magilla
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Post by Big Magilla »

I haven't seen Anna Christie in years, but I promise to take another look at it to reassess George Marion's performance.

This was the first Garbo film I saw on the big screen at a revival house in the 1970s. I remember being bowled over by Garbo's entrance and Dressler's scene stealing. Although I've seen it several more times over the years, I've usally dismissed Marion's performance as old school theatrics.

The character of the father as written is an emotionally strong one. My favorite interpretation, though, is not Marion's, but Cameron Prudd'homme's on the recording of Bob Merrill's brilliant musical incarnation, New Girl in Town, in which his presence is both as strong and as delightful as those of the show's justly celebrated stars, Gwen Verdon and Thelma Ritter.
Aceisgreat
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Post by Aceisgreat »

No love for George Marion folks? Dressler is the big (no pun intended) scene-stealer and Garbo is Garbo (and that's always great), but Marion must be the emotional center of "Anna Christie."
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Big Magilla
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Post by Big Magilla »

Corrected. I'm traveling. Will do an audit of my submissions when I get home.
Reza
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Post by Reza »

Magilla you have Clarence Brown listed for The Blue Angel?

I just saw a superb performance by Claudette Colbert in Manslaughter (1930). A lot of actors appear shaky in films of the early sound period but she is just great. Her co-star - Fredric March, already a stage star - is stiff compared to her relaxed and natural performance.
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Post by Sabin »

Just saw The Blue Angel. Brilliant, just perfect. The frame is filled with wonderful details, shadows, and Von Sternberg...well, you all must be familiar with his workings by now but this is my first of his films and I saw it on the big screen. Dietrich is wonderful, I loved the older actress who dreams of being married to "Teach", and Emil Jannings' rooster-crow is pathetic, scary, and mad. I almost clobbered a couple who were seeing it for German Language credit. Shame he joined the Nazi party with the advent of sound (Jannings, not the couple behind me, at least to my knowledge).

Just a great film.
"How's the despair?"
MCAR
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Post by MCAR »

Picture:
All Quiet On The Western Front
The Big House
The Blue Angel
Earth
Under The Roofs Of Paris

Actor:
Lew Ayres – All Quiet On The Western Front
Wallace Beery – Min And Bill
Emil Jannings – The Blue Angel
Frederic March – The Royal Family Of Broadway
Chester Morris – The Big House

Actress:
Marlene Dietrich – The Blue Angel
Marie Dressler – Min And Bill
Mary Duncan – City Girl
Greta Garbo – Anna Christie
Ann Harding - Holiday

Supporting Actor:
Richard Alexander – City Girl
Adolphe Menjou - Morocco
Monroe Owsley - Holiday
Lewis Stone – The Big House
Louis Wolheim – All Quiet On The Western Front

Supporting Actress:
Mary Astor - Holiday
Marie Dressler – Anna Christie
Margaret Dumont – Animal Crackers
Leila Hyams – The Big House
Marjorie Rambeau – Min And Bill

Director:
Rene Clair – Under The Roofs Of Paris
Alexandr Dovzhenko – Earth
George Hill – The Big House
Lewis Milestone - All Quiet On The Western Front
Josef Von Sternberg – The Blue Angel
Reza
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Post by Reza »

1930
Best Picture
*All Quiet on the Western Front
Anna Christie
The Blue Angel
The Big House
Hell's Angels

Best Actor
George Arliss, The Green Goddess
*Lew Ayres, All Quiet on the Western Front
Ronald Colman, Raffles
Fredric March, The Royal Family of Broadway
Chester Morris, The Big House

Best Actress
Marlene Dietrich, The Blue Angel
Marie Dressler, Min and Bill
*Greta Garbo, Anna Christie
Ann Harding, Holiday
Norma Shearer, The Divorcee

Best Supporting Actor
*Wallace Beery, The Big House
Adolphe Menjou, Morocco
Robert Montgomery, The Big House
Monroe Owsley, Holiday
Louis Wolheim, All Quiet on the Western Front

Best Supporting Actress
Mary Astor, Holiday
Henrietta Crosman, The Royal Family of Broadway
*Marie Dressler, Anna Christie
Margaret Dumont, Animal Crackers
ZaSu Pitts, Monte Carlo

Best Director
Clarence Brown, Anna Christie
George Hill, The Big House
Howard Hughes, Hell's Angels
*Lewis Milestone, All Quiet on the Western Front
Josef Von Sternberg, The Blue Angel



Edited By Reza on 1294383888
Last edited by Reza on Mon Sep 03, 2012 6:04 am, edited 1 time in total.
Big Magilla
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1930 Oscar Shouldabeens

Post by Big Magilla »

1930

Best Picture
*All Quiet on the Western Front
Anna Christie
The Blue Angel
The Dawn Patrol
Journey’s End

Best Actor
*Lew Ayres, All Quiet on the Western Front
Richard Barthelmess, The Dawn Patrol
Colin Clive, Journey’s End
Walter Huston, Abraham Lincoln
Emil Jannings, The Blue Angel

Best Actress
Ruth Chatterton, Sarah and Son
Marlene Dietrich, The Blue Angel
Marie Dressler, Min and Bill
*Greta Garbo, Anna Christie
Ann Harding, Holiday

Best Supporting Actor
*Wallace Beery, The Big House
Douglas Fairbanks, Jr., The Dawn Patrol
David Manners, Journey’s End
Adolphe Menjou, Morocco
Louis Wolheim, All Quiet on the Western Front

Best Supporting Actress
Mary Astor, Holiday
Henrietta Crosman, The Royal Family of Broadway
*Marie Dressler, Anna Christie
ZaSu Pitts, Monte Carlo
Marjorie Rambeau, Min and Bill

Best Director
Clarence Brown, Anna Christie
Howard Hawks, The Dawn Patrol
*Lewis Milestone, All Quiet on the Western Front
Josef von Sternberg, The Blue Angel
James Whale, Journey’s End
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