Best Cinematography 1958

1927/28 through 1997
Post Reply

Which of the 1958 Oscar nominees had the best B&W and Clor Cinematography?

The Defiant Ones (Sam Leavitt)
2
11%
Desire Under the Elms (Daniel L. Fapp)
0
No votes
I Want to Live! (Lionel Linden)
3
17%
Separate Tables (Charles Lang)
3
17%
The Young Lions (Joseph MacDonald)
1
6%
Auntie Mame (Harry Stradling Sr.)
1
6%
Cat on a Hot Tin Roof (William H. Daniels)
4
22%
Gigi (Joseph Ruttenberg)
2
11%
The Old Man and the Sea (James Wong Howe)
0
No votes
South Pacific (Leon Shamroy)
2
11%
 
Total votes: 18

User avatar
Precious Doll
Emeritus
Posts: 4453
Joined: Mon Jan 13, 2003 2:20 am
Location: Sydney
Contact:

Re: Best Cinematography 1958

Post by Precious Doll »

I don't think any of these nominees are really that worthy. I voted for I Want to Live & Cat on a Hot Tin Roof.

Most notable omission is of course Vertigo with Some Came Running, Touch of Evil, A Time to Love and a Time to Die, La Venganza, Bonjour Tristesse, Equinox Flower, Gunman's Walk and Man of the West are all more worth of nominations that what the Academy selected.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Reza
Laureate Emeritus
Posts: 10055
Joined: Thu Jan 02, 2003 11:14 am
Location: Islamabad, Pakistan

Re: Best Cinematography 1958

Post by Reza »

B/W
1. The Defiant Ones
2. The Young Lions
3. Separate Tables
4. I Want to Live!
5. Desire Under the Elms

Colour
1. Gigi
2. Cat on a Hot Tin Roof
3. Auntie Mame

The other two nominees are absolute crud.

4. South Pacific - those ugly filters
5. The Old Man and the Sea
Big Magilla
Site Admin
Posts: 19336
Joined: Wed Jan 01, 2003 3:22 pm
Location: Jersey Shore

Re: Best Cinematography 1958

Post by Big Magilla »

Black-and-White

What Desire Under the Elms is doing here over A Night to Remember (Geoffrey Unsworth) is beyond me.

The Defiant Ones and The Young Lions by virtue of their subject matter cried out for striking cinematography and they got it.

The confined spaces of I Want to Live! and Separate Tables, though, were more difficult to capture and they both did it seamlessly.

My vote goes to Charles Lang for Separate Tables.

Color

The Old Man and the Sea is one of the most boring movies ever made. Even the great James Wong Howe's cinematography couldn't save it. It should not have been nominated. Vertigo (Robert Burks) is the glaring omission here.

Auntie Mame is one of the great comedies, but its cinematography does nothing to open up the play. I would have given its slot to The Big Country (Franz Planer).

Cat on a Hot Tin Roof is a filmed play that has a life of its own. A very good nomination.

My vote, though, comes down to the two musicals in the category. Both Gigi and South Pacific are gorgeously photographed, although those annoying color filters Josh Logan insisted on over Leon Shamroy's objections in the latter, district from some of the musical numbers. Shamroy had suggested putting them in in the editing so that they could be removed if need be, but Logan insisted on them being used in the camera so they couldn't be.

For putting up the good fight, even though he lost, my vote goes to Leon Shamroy for South Pacific.
Big Magilla
Site Admin
Posts: 19336
Joined: Wed Jan 01, 2003 3:22 pm
Location: Jersey Shore

Best Cinematography 1958

Post by Big Magilla »

Have at it.
Post Reply

Return to “The Damien Bona Memorial Oscar History Thread”